富兰克林·D·罗斯福富兰克林·D·罗斯福,美国第32位总统,美国历史上唯一连任四次的总统。温斯顿·丘吉尔温斯顿·丘吉尔,全名：温斯顿·伦纳德·斯潘塞·丘吉尔，20世纪最负盛名的英国资产阶级政治家，二战期间英国首相。道格拉斯·麦克阿瑟道格拉斯·麦克阿瑟，美国陆军五星上将。
战争交响曲英文
Battle Symphony - Linkin ParkI got a long way to go还有一段漫长的征程And a long memory久远的回忆I've been searching for an answer只为探寻一个最终的答案Always just out of reach却总是遥不可及Blood on the floor血流遍地Sirens repeat警笛轰鸣I've been searching for the courage我一直苦苦寻觅勇气To face my enemies让我直面残酷的敌人When they turn down the lights当他们熄灭所有希望的光亮I hear my battle symphony这首战争交响曲在我心中回响All the world in front of me整个世界就在我的眼前If my armor breaks假使我的铠甲都已残破I'll fuse it back together我也将重新振作Battle symphony战争交响曲Please just don't give up on me请不要放弃我And my eyes are wide awake视线并未模糊 而我绝对清醒For my battle symphony只为心中这首战争交响曲For my battle symphony只为心中这首战争交响曲They say that I don't belong他们说我格格不入Say that I should retreat劝我该迅速撤退That I'm marching to the rhythm合着落寞的Of a lonesome defeat挫败旋律毅然向前But the sound of your voice你的声音Puts the pain in reverse反而成了我无法言说的痛No surrender no illusions绝不投降 不抱幻想And for better or worse不论好坏When they turn down the lights当他们熄灭所有希望的光亮I hear my battle symphony这首战争交响曲在我心中回响All the world in front of me整个世界就在我的眼前If my armor breaks假使我的铠甲都已残破I'll fuse it back together我也将重新振作Battle symphony战争交响曲Please just don't give up on me请不要放弃我And my eyes are wide awake视线并未模糊 而我绝对清醒If I fall get knocked down如果我失败 遭受敌人重击Pick myself up off the ground我也会重新振作 再次启程If I fall get knocked down如果我失败 遭受敌人重击Pick myself up off the ground我也会重新振作 再次启程When they turn down the lights当他们熄灭所有希望的光亮I hear my battle symphony这首战争交响曲在我心中回响All the world in front of me整个世界就在我的眼前If my armor breaks假使我的铠甲都已残破I'll fuse it back together我也将重新振作Battle symphony战争交响曲Please just don't give up on me请不要放弃我And my eyes are wide awake视线并未模糊 而我绝对清醒For my battle symphony只为心中这首战争交响曲For my battle symphony只为心中这首战争交响曲我是今天看NBA中勇士和骑士对打，才想到这首歌的，我也是LP迷
楼上不是德文名么，这个才是英文Beethoven: Symphony No.5 in c minor, Op.67 "Destiny"
Symphonie No.5 Op.67 这个才是对的
Beethoven: Symphony No.5 in c minor, Op.67 英文Beethoven: Symphonie Nr.5 Op.67 德文正式的情况下不加"Destiny"或“fate”（命运），因为命运是后人加上去的名字，只有第三，第六，第九需要加名字。Beethoven symphony No.3 "Eroica" OP.55 Beethoven symphony No.6 "Pastoral" Op.68 Beethoven symphony No.9' "Choral" Op.125
战争打响战士们的想法英文
Every French soldier carries a marshal\'s baton in his knapsack 原译 Don't want to be a general is not a good soldie 后人翻译 不想当将军的士兵不是好士兵 1、“More than an end to war,we want an end to the beginnings of all wars.”——Franklin D·Roosevelt “相对于战争结束来说，我们更希望所有的战争本就没有爆发。” 富兰克林·D·罗斯福 富兰克林·D·罗斯福,美国第32位总统(1933年3月4日--1945年4月12日),美国历史上唯一连任四次的总统。 2、“Success is not final,failure is not fatal：it is the courage to continue that counts.”——Winston Churchill “成功不是终点，失败也不是终结，只有勇气才是永恒。” 温斯顿·丘吉尔 在战争中死去并不可怕，可怕的是如此多的牺牲还没有换来和平 3、“Never in the field of human conflict was so much owed by so many to so few.” ——Winston Churchill “在人类战争史上，从来也没有一次像这样，以如此少的兵力，取得如此大的成功，保护如此多的众生。” 温斯顿·丘吉尔 温斯顿·丘吉尔,全名：温斯顿·伦纳德·斯潘塞·丘吉尔，20世纪最负盛名的英国资产阶级政治家，二战期间英国首相。 4、“it is fatal to enter any war without the will to win it.” ——General Douglas MacArthur “没有必胜的决心，战争必败无疑。” 道格拉斯·麦克阿瑟 道格拉斯·麦克阿瑟(Douglas MacArthur)，美国陆军五星上将。 5、“the only winner in the war of 1812 was tchaikovsky.”——Solomon Short “柴克夫斯基是1812战争唯一的胜利者。“ 所罗门·肖特（“the war of 1812“指1812年美国第二次反英战争） 6、“all wars are civil wars,because all men are brothers.”——Francois Fenelon “所有的战争都是内战，因为所有的人类都是同胞。“ 弗朗索瓦·费奈隆 7、“In war there is no prize for the runner-up.”——General Omar Bradley “在战争中，第二名是没有奖赏的。” 奥玛·布莱德利将军 奥玛·布莱德利，1915年毕业于西点军校。初任乔治亚州本宁堡(Ft. Benning)步兵学校校长。后任美国国防部参谋长联席会议主席。 8、“Ours is a world of nuclear giants and ethical infants. We know more about war than we know about peace, more about killing than we know about living.”——General Omar Bradley “我们的世界充满了对核武器狂热，但对道德却一无所知的人。我们对战争的了解比和平多，我们对杀戮远比挽救生命在行。”奥玛·布莱德利将军
麦克 塔维什上尉：系统连线马上完成。谢普德将军，你已经与普莱斯上尉连线了。谢普德：从死亡边缘回来了，上尉。普莱斯上尉：用“跳出油锅”来形容更恰当一点。谢普德：我们以为我们赶在俄罗斯破解ACS以前回收了。我们错了。马卡洛夫让美国当了替罪羔羊。然后你知道的就是到处都是火花了。你正发送给我的图片是什么？普莱斯上尉：你想要扑灭油锅的火焰的话，长官，你就在旁边弄一个大爆炸。把氧气都消耗掉，灭掉火焰。谢普德：普莱斯，你被关的太久了。最好脑袋清醒点，孩子。普莱斯上尉：谢普德，你会不惜一切的取得胜利吗？谢普德：从来都是。普莱斯上尉：我们现在有场大火，就得来场大爆炸。谢普德：你在集中营太久了，普莱斯。集中精力解决掉马卡洛夫。普莱斯上尉：没时间了，长官。今天我们就得结束战争。谢普德：我不是在征求你的意见，普莱斯，这是命令，你…普莱斯上尉：看来我们通信中断了。
麦克 塔维什上尉：系统连线马上完成。谢普德将军，你已经与普莱斯上尉连线了。谢普德：从死亡边缘回来了，上尉。普莱斯上尉：用“跳出油锅”来形容更恰当一点。谢普德：我们以为我们赶在俄罗斯破解ACS以前回收了。我们错了。马卡洛夫让美国当了替罪羔羊。然后你知道的就是到处都是火花了。你正发送给我的图片是什么？普莱斯上尉：你想要扑灭油锅的火焰的话，长官，你就在旁边弄一个大爆炸。把氧气都消耗掉，灭掉火焰。谢普德：普莱斯，你被关的太久了。最好脑袋清醒点，孩子。普莱斯上尉：谢普德，你会不惜一切的取得胜利吗？谢普德：从来都是。啊啊，你…普莱斯上尉：看来我们通信中断！
推荐看一看《孙子兵法》
战争英文歌曲抖音
歌手：Green Day歌名：Holiday歌词：Green Day - Holiday(神圣的日子)Max Copo.Hear the sound of the falling rain(听见那下雨的声音)Coming down like an Armageddon plague (Hey!)(从天而降仿佛末日如同决战场的火焰)The shame, the ones who die without a name(羞耻阿.那些连名字都没能留下来就死了的人)Hear the dogs howlin' out of key(听那条狗吠出了事情的真相)To a hymn called Faith and Misery (Hey!)(关于一首叫做<<信仰与苦难>>的赞美诗)A plead, the company lost the war today(血流成河,连军队今天打了败仗)I beg to dream and differ from the hollow lies(我祈求能在梦中揭穿那神圣的谎言)This is the dawning of the rest of our lives(这是我们其余生命的黄昏)On holiday(在这个神圣的日子里)There's a drum pounding out of time(听着枪炮不合时宜的开火声)Another protestor has crossed the line (Hey!)(又一个抗议者跨过了边境线)To find the money's on the other side(找的是,边境线另一端的钱)Can I get another Amen (Amen)(我能再祈祷一声阿门吗?)There's a flag wrapped around the score of men (HEY!)(一面国旗覆盖在一群人身上)A gag, A plastic bag on a monument(一只塑料袋在纪念碑上飞舞)I beg to dream and differ from the hollow lies(我祈求能在梦中揭穿那神圣的谎言)This is the dawning of the rest of our lives(这是我们其余生命的黄昏)On holiday(在这个神圣的日子里)Max Copo."The representative from California has the floor"(来自加州的代表获得了发言权)"Zieg heil" to the president gasbag(向我们的赌气屠杀者总统致纳粹礼)Bombs away is your punishment(投掷炸弹就是对你的惩罚)Pulverize the Eiffel towerwho criticize your government(批评你政府的人声势大到能把埃菲尔铁塔摧毁)Bang bang goes the broken glass (砰砰传来玻璃破碎的声音)Kill all the fags that don't agree(杀死一切不同意你政策的人)Trials by fires, setting fire(把纵火当作审判)Thats not a way that's meant for me(这不是我想要的)Just cause,Just cause because were outlaws yeah!(只因为 只因为 我们是被放逐的反叛者)I beg to dream and differ from the hollow lies(我祈求能在梦中揭穿那神圣的谎言)This is the dawning of the rest of our lives(这是我们其余生命的黄昏)I beg to dream and differ from the hollow lies(我祈求能在梦中揭穿那神圣的谎言)This is the dawning of the rest of our lives(这是我们其余生命的黄昏)This is our lives on holiday(这是我们在神圣日子的生活)END你看是不是。
Brothers In Arms [Dire Straits] 恐怖海峡 These mist covered mountainsAre a home now for meBut my home is the lowlandsAnd always will beSome day you will return toYour valleys and your farmsAnd you will no longer burnTo be brothers in armThrough these fields of destructionBaptism of fireI have watched all your sufferingAs the battles raged higherAnd though they did hurt me so badIn the fear and alarmYou did not desert meMy brothers in armsThere is so many different worldsSo many different sunsAnd we have just one worldBut we live in different onesNow the suns gone to hellAnd the moons riding highLet me bid you farewellEvery man has to dieBut it is written in the starlightAnd every line on your palmWe are fools to make warOn our brothers in arms 恐怖海峡的经典作品
1， TheCranberries-Zombie 来自小红莓乐团的经典反战歌曲<有很多其他版本的》用悲凉的缓拍描述了灰蒙蒙的战争疮疤,在拿着冲锋枪士兵监视下玩着游戏的天真小孩,残酷而真实。2. 绿日乐队好象是因美伊战争而做3.欧美群星为反战组织World Peace One演出的歌曲,也是向数年前那首著名的《We are the world》致敬.4.《We are the world》在1985“国际和平年”，为了救济救济埃塞俄比亚及非洲其他地区的饥民，由Michael Jackson与Quincy Jones召集了四十五位乡村、蓝调、民谣和摇滚等不同风格的重要歌手，由Quincy Jones担任制作人，合力创作了《We Are The World》，并成立专门的机构处理捐款和使用的事宜。 5.6. White Lion 仅用原声吉他伴奏、相对非常非常柔的反战歌曲7.Black Eyed Peas 的说唱反战歌曲8.9.莎拉布莱曼与伊拉克歌手卡珊艾尔撒希尔合作的反战之歌10. Declan Galbraith英国10岁小男孩的反战之声11.《Masters of War》鲍勃·迪伦 据称是一首描写战争之害写得最坦白同时也最深刻的歌曲12.《Heal The World》迈克尔·杰克逊 老歌.MV中，在天真无邪的孩子们的笑容面前，残忍的士兵们放下了他们手中的武器，和平随之降临。当第54届邦比奖颁奖典礼在德国柏林举行。著名摇滚歌星迈克尔·杰克逊前往当地接受表彰其终生音乐成就的奖项。13.《Give Peace a Chance》约翰·列侬 老歌.约翰·列侬在1969年创作,针对越战的和平反战歌曲.做此曲时,正值美越战事最炽烈的阶段，他通过音乐全心全意的支持和平。14.《American Life》麦当娜 麦当娜声明用这首歌来表达其反战立场,但之后因MV内容引起"反战"还是"玩战"的争议,但还是具有其反战的背景和故事.15.《WE DON’T CRY》张紫石中国内地的和平反战歌曲.中国驻南使馆被炸事件发生后，此歌作为反战和呼唤世界和平的号角，响彻中国上空.17.《DavaiZa》-Lyube(Lube)俄罗斯反战民摇乐队所做的著名反战歌曲. 对了还有一首tell me why 不知道是否有楼主要找的
呃。。。Journey里面有一句歌词是it's a long long journey...
第五交响曲英文
SYMPHONY NO.5 Op.67/IV.Allegro（第五命运交响曲第四乐章） -----------------------第一交响曲 Symphonie No.1 Op.21 1794--1796 C大调 交响曲 第二交响曲 Symphonie No.2 Op.36 1801-1802.10 D大调 交响曲 第三交响曲 (英雄) Symphonie No.3 OP.55 1803-1804 降E大调 交响曲 第四交响曲 Symphonie No.4 Op.60 1806.10 降B大调 交响曲 第五交响曲 (命运) Symphonie No.5 Op.67 1804-1808 C小调 交响曲 第六交响曲 (田园) Symphonie No.6 Op.68 1807---1808 F大调 交响曲 第七交响曲 Symphonie No.7 Op.92 1811-1812.6 A大调 交响曲 第八交响曲 Symphonie No.8 Op.93 1811-1812.10 F大调 交响曲 第九交响曲 (合唱) Symphonie No.9 Op.125 1824.2 D小调 交响曲 第十交响曲 Symphonie No.10 遗稿 交响曲 战争交响曲 Wellingtons Sieg Op.91 1813 D大调 序曲 莱奥诺拉 Leonore Overtures No.1-1805 No.2-1805 No.3-1806 No.4-1814 序曲 艾格蒙特 Egmond 1809 序曲 科里奥兰 Coriolanus Overture Op.93 1807 C大调 舞剧 普罗米修斯的生民 The Creatures of Prometheus Op.43 1800-1801 序曲 斯蒂芬国王 King Stephen Op.112 1811 序曲 向大厦献礼 The Consecration of the house Op.124 1822 C大调 骑士芭蕾音乐 Musik Zu einem Ritterballett WoO.1 1790-1791 序曲 命名日庆典序曲 Ouverture “Namensfeier” Op.115 1814 C大调 雅典的废墟 The ruins of Athens Op.113 舞曲 12首小步舞曲 12Menuette WoO.7 1795 舞曲 12首德国舞曲 12 Dertsche Tanze WoO.8 1795 舞曲 12首对舞曲 12 Kontratanze WoO.14 1800-1802 舞曲 6首兰德勒舞曲 6 Landlerische Tanze WoO.15 1802 D大调 舞曲 11首维也纳舞曲 11 Wienertanze WoO.17 1818-1820 舞曲 庆贺小步舞曲 Grarulations Menuett WoO.3 1822 进行曲 为乐队而作的进行曲(6首) Marsh for Orchetra WoO.18-22,24,29 1809-1810 协奏曲 第一钢琴协奏曲 Pinao Concertos No.1 Op.15 1796 C大调 协奏曲 第二钢琴协奏曲 Pinao Concertos No.2 Op.19 1794-1795 降B大调 协奏曲 第三钢琴协奏曲 Pinao Concertos No.3 Op.37 1800 C小调 协奏曲 第四钢琴协奏曲 Pinao Concertos No.4 Op.58 1805-1806 G大调 协奏曲 第五钢琴协奏曲 Pinao Concertos No.5 Op.78 降E大调 协奏曲 第六钢琴协奏曲 Pinao Concertos in D Op.61 1807 协奏曲 钢琴协奏曲 Pinao Concertos in E flat WoO.4 1784 回旋曲 钢琴与乐队的降B大调回旋曲 Rondo for Pinao and Orchestra in B flat WoO.6 1795 幻想曲 合唱幻想曲 Fantasie fur Klavier,Chor Und Orchester Op.80 1808 C小调 协奏曲 为小提琴,大提琴,钢琴三重奏 Triple Concerto for vilin Cello and Piano Op.56 1803
Although the Fifth Symphony is considered one of Beethoven's greatest musical works, at the time of its premiere the composer's contemporaries were still smitten with his Third Symphony (the "Eroica"). Gradually, understanding of the piece grew as audiences began to associate it with Beethoven's life and musical style. The symphony continued to rise in popularity and is now commonly used at inaugural concerts of new orchestras, as well as throughout popular culture. Beethoven began composing the piece in 1804, though several other projects forced him to postpone his writing. The Fifth Symphony premiered with the Sixth at Beethoven's "marathon" concert, and was dedicated to Prince Lobkowitz and Count Andreas Rasumovsky. Musicians with inadequate practice time faltered through the performance. Notes ： Beethoven's Fifth did not immediately become the world's (or even the composer's) most famous symphony. During his lifetime, the Third, the "Eroica," was performed more often and the second movement of the Seventh (movements were often heard separately) deemed "the crown of instrumental music." But over the course of the 19th century, the Fifth gradually came to epitomize Beethoven's life and musical style. It often appeared at the inaugural concerts of new orchestras, such as when The Philadelphia Orchestra first sounded in November 1900. The Fifth Symphony picked up further associations in the 20th century, be they of Allied victory during WWII or through its appearance in commercials and popular culture. It is easy to account for both the popularity and the representative status of the Fifth. (The celebrated music critic Donald Francis Tovey called it "among the least misunderstood of musical classics.") With the rise of instrumental music in the 18th century, audiences sought ways to understand individual works, to figure out their meaning. One strategy was to make connections between a piece of music and the composer's life. In this no life and work has proved more accommodating than Beethoven's, whose genius, independence, eccentricities and struggles with deafness were well known already in his own time. Music and Meaning In the fall of 1801, at age 30, Beethoven revealed for the first time the secret of his increasing hearing loss and stated in a letter that he would "seize Fate by the throat; it shall not bend or crush me completely." It has not been difficult to relate such statements directly to his music. The struggle with "Fate" when it "knocks at the door," as he allegedly told his assistant Anton Schindler happens at the beginning of the Fifth, helped endorse the favored label for the entire middle period of his career: Heroic. The Fifth Symphony, perhaps more than any of his other symphonies, more than those with explicit extra-musical indications like the "Eroica," "Pastoral," or Ninth, seems to present a large-scale narrative. According to this view, a heroic life struggle is represented in the progression of emotions, from the famous opening in C minor to the triumphant C-major coda of the last movement some 40 minutes later. For Hector Berlioz, the Fifth, more than the previous four symphonies, "emanates directly and solely from the genius of Beethoven. It is his own intimate thought that is developed; and his secret sorrows, his pent-up rage, his dreams so full of melancholy oppression, his nocturnal visions and his bursts of enthusiasm furnish its entire subject, while the melodic, harmonic, rhythmic, and orchestral forms are there delineated with essential novelty and individuality, endowing them also with considerable power and nobility." In Beethoven's Time Beethoven wrote the Symphony over the space of some four years, beginning in the spring of 1804, during the most productive period of his career. Among the contemporaneous works were the Fourth and Sixth symphonies, the Fourth Piano Concerto, Violin Concerto, Mass in C, three "Razumovsky" string quartets, the first two versions of his lone opera Fidelio, and many other works. Large-scale pieces like the opera, or commissions like the Mass, interrupted his progress on the Fifth, most of which was written in 1807 and early 1808. The Symphony was premiered later that year together with the Sixth (their numbers in fact reversed) at Beethoven's famous marathon concert at Vienna's Theater an der Wien on December 22, which also included the first public performance of the Fourth Piano Concerto (the composer was soloist), two movements from the Mass, the concert aria Ah! Perfido, and the "Choral" Fantasy, Op. 80. Reports indicate that all did not go well. Second-rate musicians playing in third-rate conditions after limited rehearsal had to struggle their way through this demanding new music, and things fell apart during the "Choral" Fantasy. But inadequate performance conditions did not dampen enthusiasm for the Fifth Symphony, which was soon recognized as a masterpiece. The novelist, critic, and composer E.T.A. Hoffmann wrote a long and influential review, ushering in a new era in music criticism that hailed "Beethoven’s romanticism … that tears the listener irresistibly away into the wonderful spiritual realm of the infinite." A Closer Look Another reason for the great fame and popularity of this Symphony is that it distills so much of Beethoven's musical style. One feature is its "organicism," the fact that all four movements seem to grow from seeds sown in the opening measures. While Beethoven used the distinctive rhythmic figure of three shorts and a long in other works from this time (Tovey remarked that if this indeed represents fate knocking at the door it was also knocking at many other doors), it clearly helps to unify the entire Symphony. After the most familiar of openings (Allegro con brio), the piece modulates to the relative major key and the horns announce the second theme with a fanfare using the "fate rhythm." The softer, lyrical second theme, first presented by the violins, is inconspicuously accompanied in the lower strings by the rhythm. The movement features Beethoven's characteristic building of intensity, suspense, a thrilling coda, and also mysteries. Why, for example, does the oboe have a brief unaccompanied solo cadenza near the beginning of the recapitulation. Beethoven's innovation is not simply that this brief passage may "mean" something, but that listeners are prompted in the first place to ask themselves what it means. The second movement (Andante con moto) is a rather unusual variation form in which two themes alternate, the first sweet and lyrical, the second more forceful. Beethoven combines the third and fourth movements, which are played without pause. In earlier symphonies he had already replaced the polite minute and trio with a more vigorous scherzo and trio. In the Fifth the Allegro scherzo begins with a soft ascending arpeggiated string theme that contrasts with a loud assertive horn motive (again using the fate rhythm). The trio section features extraordinarily difficult string writing, in fugal style, that defeated musicians in early performances. Instead of an exact return of the opening scherzo section, Beethoven recasts the thematic material in a completely new orchestration and pianississimo dynamic. The tension builds with a long pedal point—the insistent repetition of the same note C in the timpani—that swells in an enormous crescendo directly into the fourth movement Allegro, where three trombones, contrabassoon, and a piccolo join in of the first time in the piece. This finale, like the first movement, is in sonata form and uses the fate rhythm in the second theme. The coda to the Symphony may strike listeners today as almost too triumphantly affirmative as the music gets faster, louder, and ever more insistent. Indeed, it is difficult to divest this best known of symphonies from all the baggage it has accumulated through nearly two centuries and to listen with fresh ears to the shocking power of the work and to the marvels that Beethoven introduced into the world of orchestral music.
SYMPHONY NO.5 "THE FATE" (命运交响曲)
结束所有战争的战争英文
like the war to end all wars.所有的战争将结束。warsn. 战争( war的名词复数 ); 战争期间; 斗争; 竞争;
有很多 命令：Stop the war(这个是比较中式的,英文习惯用被动,而不是主动,下面两个我觉得更地道） 陈述事实语气：The war had been stopped 强调,命令,要求语气：The war must be stopped
like the war to end all wars
像战争结束所有的战争
例句：
We may find ourselves dragged into new wars and new threats of wars.
我们可能会发现我们自己被扯到新的战争或新战争的威胁中去了。
一战结束后，全球反战争浪潮升温，人们将一战形容为“停止所有战争的战争”（the war to end all wars）。有识之士希望建立一个国际组织，以国际合作的形式，共同处理纠纷。早在一战进行期间，一些政府和小组早已开始发展改变国际关系的计划，避免世界大战再度发生。1919年1月28日的巴黎和会中，通过建立国际联盟的草拟法案，并在英法两国的操纵下，派一个以威尔逊为首的起草委员会来草拟《国际联盟盟约》（Covenant of the League of Nations），准备筹组国联来反对共产国际。1920年1月10日《凡尔赛条约》正式生效的这一天，在威尔逊主持下国际联盟宣告正式成立。1920年代，国联曾成功地解决一些小纷争。但对于1930年代较大的冲突及二战，国联则显得力不从心。1946年4月18日国联正式解散。